My Set Visit to American Gangster |
American
Gangster – Set Visit 9/18/06 Ari,
my lovely driver, picked me up at home around 5 PM. We drove to Riverside
Drive in NYC, where I saw all the “home
away from home” trucks parked all along the street. We were
met there by Bruno (thanks, Bruno!), who took us in the car to
Broadway and 136th Street, the
scene of the day’s shoot. I quickly met up with David Oliver,
Russell’s
stand-in, looking as handsome as ever, and he and Bruno showed
me the lay of the land. Keith is away scouting locations in When we first arrived, I thought all the people walking
back and forth on the street were I
spotted Ridley near the camera, Judy, the dialogue coach I had met
in France, Branko Lustig and, of course, Mickey, who is dressing
Russell for this film. The real Richie Roberts joined us, looking
handsome and fit, and we shared a few words about the I
looked over to the left and there on the sidewalk amidst all the
extras, waiting to start their scene by crossing the street, were
Russell and Denzel. They were dressed in dark suits, and Richie had
his Star of David around his neck. His face was weathered with nice
laugh lines applied around his eyes. It is the 1990’s,
and he and Frank L. are now friends, walking together, drinking
coffee, and talking. As they walk across Broadway a young gang
of hoods approaches them and tries to block their way. At a warning
glance from Frank, they move aside, and Roberts and Lucas continue
their way across the rest of the street. That was the set-up and
the scene and it took a few hours repeating until Ridley felt everything
was right. The scene was Frank's first day out of prison. They
wrapped about 7:00. In between takes, I waved and shouted to Russell and
he grinned and waved back. Later he was able to come over and give
me a hug hello. I just missed seeing Dani and the boys, darn it,
but our guy was looking mighty fine and relaxed. Between
another break, Russell
took me to meet Denzel, who has the greatest grin in the world.
I was to be careful with Denzel’s hands that were made to look
older and arthritic for the age of his character. Russell introduced
me as his friend Mary Murphy, which was very special. I told Denzel
I had a web site for Clive Owen as well as for Russell, and we chatted
a bit about Inside Man. Denzel shared that the line to the Sikh guy
in the turban in Inside Man, “But I bet you can get a cab,” was
his. He threw it in and it stayed. Russell had just added a couple of words to his dialogue
during the scene we were watching, so both of them like to spice
up their lines! We
were surrounded by technical people, four cameras plus a video camera.
It was fun to see all of this at work. With the back drop of NYC
and You were aware again of how much a movie is about waiting
around until needed, until the next take begins. I recognized several
actors who are familiar to me from television. I talked with one
young man, an extra, who had done work on Law and Order. I
had a couple of presents for Charlie and Tennyson, so after the shoot,
we said good-bye to David, and Bruno and I went back to our car to
pick them up. We drove to Russell’s
trailer, where I was able to say goodnight and to give him the
gifts. It was a great experience, one I will never forget, watching
the mechanics of filming one brief shot from the film, and getting
to see my friend and the other actors and Ridley in action. |